Home  ›  Band Super Mega Everything Rise Again

Band Super Mega Everything Rise Again

Written By Sunday, April 3, 2022 Add Comment Edit

Vocal grouping consisting of young males

A boy band or boy grouping is loosely defined as a vocal group consisting of young male singers, usually in their teenage years or in their twenties at the time of germination,[i] singing honey songs marketed towards girls. Many male child bands trip the light fantastic likewise as sing, usually giving highly choreographed performances.

Some such bands form on their own, oft evolving out of church choral or gospel music groups. In contrast, many are created by talent managers or tape producers who hold auditions. Due to this and their general commercial orientation towards a female audition of preteens, teenyboppers, or teens, the term can exist debasing in music journalism. Boy bands are similar in concept to their counterparts, girl groups. Male child bands' popularity peaked four times: in the 1960s (e.g., the Jackson 5 and the Osmonds), in the 1990s and early 2000s when acts such every bit the Accept That, Backstreet Boys, *NSYNC, Boyzone, F4, and Westlife, among others, dominated global pop charts like the American Billboard, in the early on 2010s with the emergence of popular new boy bands such as Large Time Rush, One Direction, and The Wanted, and in the late 2010s and early 2020s with K-pop acts like BTS, Exo, and NCT, and pop groups such as CNCO, Why Don't We and PrettyMuch.

History

Early on history

The earliest precursor of male child band music began in the late 19th century as a cappella barbershop quartets.[2] They were usually a group of males and sang in iv-part harmonies. Barbershop quartets were popular into the earlier part of the 20th century. A revival of the male vocal group took place in the late 1940s and 1950s with the apply of doo-wop music. Doo-wop bands sang nearly topics such every bit dear and other themes used in pop music. The primeval traces of boy bands were in the mid-1950s although the term boy ring was non used. African American vocal group The Ink Spots was 1 of the first of what would now be chosen boy bands. The term boy band was not established until the belatedly 1980s as before that they were called male song groups or "hep harmony singing groups".[iii]

Although generally described as a rock band, the highest-selling ring in history The Beatles are considered by a number of journalists as "the first" or "the original" boyband, "before anyone had thought of the term."[iv]

The Liverpool quartet known equally The Beatles were not only the quintessential rock band, but many considered John Lennon, Paul McCartney, George Harrison and Ringo Star [sic] to be the original male child band – especially in the early 1960s when young girls would scream at the height of their lungs and pass out upon start sight of the "Fab Four."

The Beatles inspired the production of the 1966 television series The Monkees,[6] which spawned the music group of the aforementioned name, formed by the four starring actors. The rock and pop ring started a career in music after their songs from the TV series were released equally successful records.[5]

Belatedly 1960s and 1970s: The Jackson 5 and the Osmonds

Although the term "male child band" was not normally used then, the earliest predecessors of this format were groups such as the Jackson 5 and the Osmonds which helped form the template for boy bands.[7] [vi] The Jackson v were a siblings group that established many musical conventions that boy bands follow. For case, their music featured close harmonies from soul music and catchy pop hooks influenced equally much as they were by Motown and acts similar the Supremes. The group also incorporated choreographed dance moves to their performances. All members of the band sang, which is a common convention of a male child band, as opposed to having a front man and the remainder on instruments; thus, no one person dominated the stage.[ citation needed ] Also a siblings group, The Osmonds first started singing barbershop music for local audiences, before being hired to perform at Disneyland early in their career. Their advent in a televised Disney special earned them additional Boob tube spots, such as The Andy Williams Show and The Jerry Lewis Testify.[5]

Late 1970s and 1980s: Menudo, New Edition, and New Kids on the Block

Other antecedents (apart from those already mentioned) exist throughout the history of pop music. The genre has been copied into languages and cultures other than the Anglo-American. The Puerto Rican boy band Menudo, appealing to young Latina audiences, was founded in 1977. Menudo had a convention unique among boy bands: when a member turned 16, became as well tall, or their voice changed, they were replaced. The members of Menudo were generally aged 12–16.

The Bay Metropolis Rollers were a Scottish pop band who were most popular in the mid-1970s. The British Hit Singles & Albums noted that they were "tartan teen sensations from Edinburgh", and were "the first of many acts heralded as the 'Biggest Group since The Beatles' and one of the most screamed-at teeny-bopper acts of the 1970s".[8] For a fairly brief but fervent period (nicknamed "Rollermania"), they were worldwide teen idols. The group were one of the offset bands, similar The Monkees before them, to take the formula shown past The Beatles and apply information technology to a teen market. The grouping achieved the same amount of success but for a limited flow of fourth dimension. At the peak of their popularity in the UK, comparisons were existence made to The Beatles. Likewise past this time, Bay City Roller fans had a completely distinctive style of dress, the main elements of which were ankle-length tartan trousers and tartan scarves, the group using the benefit of trade and promotion.[9]

The German boy band The Teens formed in West Berlin 1976 and had a couple of hits targeting young females. The band resolved in 1982.[10]

In the U.s.a., the Cleveland-based power popular group Raspberries was generally interpreted as a "teen human activity", although all the band members played their own music. Vocalist Eric Carmen subsequently commented, "It was not hip for people to like us, because their niggling sister liked u.s.a.."[11]

Boston group New Edition was formed in 1978 and reached their meridian of popularity in the 1980s, meaning they are frequently credited for starting the boy-band trend, even though the term "boy band" did not exist until the 1990s. Maurice Starr was influenced by New Edition and popularized information technology with his protégé New Kids on the Block, the first commercially successful modern boy ring, who formed in 1984 and plant international success in 1988. Starr's thought was to take the traditional template from the R&B genre (in this instance his teenage band New Edition) and utilize information technology to a popular genre.

Bros (abridgement of the word "brothers") were a British boy band active in the tardily 1980s and early 1990s, consisting of twin brothers Matt and Luke Goss along with Craig Logan. Formed in 1986, they scored multiple peak x hits between 1987 and 1989 and in 1988 became the get-go modern era–style boy ring to take a multiple platinum-selling anthology in the U.k., with Push, still one of the most successful boy-band albums in the Great britain. Other big boy bands in Britain during the late 1980s were Big Fun and Brother Beyond.

1990s: Boyz II Men, Take That, Backstreet Boys, NSYNC, and Westlife

Some managers in Europe soon created their own acts later beingness inspired by New Kids on the Cake, beginning with Nigel Martin-Smith's Take That in the UK (formed in 1990) and followed past Tom Watkins, who had success with Bros in the tardily 1980s and formed E 17 in 1991. Bros were marketed and pitted confronting Take That every bit rivals with a harsher attitude, way and sound. Since reforming in 2006 after a decade-long hiatus, Take That have become i of the about successful groups in British music chart history and their albums and singles have also charted internationally, especially in Europe. Irish gaelic music manager Louis Walsh, who had witnessed the impact of these British boy bands, put out an advert for an "Irish Take That", thereby creating Boyzone in 1993. Permit Loose (formed in 1993), MN8 and 911 (formed in 1995), and Damage (formed in 1996) were also successful male child bands in Britain; however, past the late 1990s all these bands had run their course and carve up.

All these artists were very successful on both the singles and albums charts domestically and internationally; nonetheless, with the emergence of Britpop and the commercial co-pick of indie rock, many boy bands were ridiculed by the British music printing as having no artistic credibility, although some, such equally Due east 17 and Take That, did write most of their own fabric. The media attention was so placed on the "Battle of Britpop", and the bands Oasis and Blur replaced the importance and rivalry of Accept That and Due east 17 every bit the two new biggest bands in Britain. Notwithstanding, male child bands connected to find success in the late 1990s, such as Five, Another Level, Point Break and Westlife. In 1995 successful German music director Frank Farian, who had been manager of Boney Thou and Milli Vanilli, put together Latin American band No Mercy who scored a few worldwide hits during the mid-90s.

Although being American and the sons of Tito Jackson, a fellow member of The Jackson 5, 3T had several hits singles across Europe in the mid-1990s, despite express success in the United states, and finished the 2nd biggest selling act of 1996 in Europe behind the Spice Girls.[12] With the success of Northward American boy bands like New Kids on the Cake in East asia, Japanese entertainment company Johnny & Associates formed SMAP in 1992. The group enjoyed tremendous success, selling over 35 million records.[13] It paved the way for more Asian boy bands such as Arashi.

In the early 1990s in N America, with New Kids on the Cake's continued success and Color Me Badd likewise having success, boy bands became a connected staple of the Billboard charts. Continuing this success in the mid-1990s, near prominent male child bands were African American and had R&B and gospel elements, such as the groups All-4-Ane (formed in 1993) and Boyz 2 Men (formed in 1988). Boyz Ii Men are also the virtually successful male child band human activity on the U.Southward. Hot 100 equally well as the Australian Singles Chart. Although they had success on the Billboard charts, they were not marketed towards youth but more than towards adults. It was non until 1997 and the change to pop-oriented groups such as Backstreet Boys, 98 Degrees, NSYNC, The Moffatts, and Hanson that boy bands exploded commercially and dominated the marketplace in the United States. This belatedly 1990s marked the height of boy band popularity in Due north America, which has not been seen since.

Arguably the most successful boy ring manager from the U.S. was Lou Pearlman, who founded commercially successful acts such every bit the Backstreet Boys in 1993, NSYNC and LFO in 1995, O-Town in 2000, and US5 in 2005. Backstreet Boys and NSYNC became the two biggest male child bands in the belatedly 1990s until the early 2000s, and Backstreet Boys went on to get the all-time-selling boy band in history with over 100 million records sold.[14]

In the late 1990s in the UK, producer Simon Cowell (noted in the U.Southward. for the American Idol/X Cistron franchise) is also known for having managed British boyband Five (formed in 1997) and Irish gaelic boyband Westlife (formed in 1998). Westlife was created by Irishman Louis Walsh as a replacement for Boyzone[15] and was initially managed by a former member of the band Ronan Keating. Westlife would eventually overtake Take That in number one'due south tally in the UK although Accept That'due south overall UK sales are still higher. In 2012, the Official Charts Company revealed the biggest selling singles artists in British music chart history with Take That placed 15th overall and the highest selling boyband act (9.three one thousand thousand), followed by Boyzone at 29 (7.one million) and Westlife at 34 (6.viii million).[16] [17] [18] Even though Cowell is known to have managed several successful male child bands, he is as well infamous for passing on signing two of the biggest boybands to sally from the 1990s and 2000s, Take That and Busted.[nineteen]

2000s: Backstreet Boys, NSYNC, Westlife, Jonas Brothers and F4

With the continued success of Backstreet Boys and *NSYNC, American and British groups similar 98 Degrees, Westlife, O-Boondocks, A1, Blue, and Busted gained quick popularity both domestically and internationally. International boy bands would also occasionally spring up, such equally the Moldovan band O-Zone (better known today as an Net meme), and Overground. American Christian boy ring Plus One also enjoyed brief remarkable success during this time.

At the acme of boy band popularity in North America, MTV created their ain parody boyband, 2gether. Similar the Monkees in the 1960s, they were a manufactured act composed of actors. 2gether played off of the idea that every successful male child band must have five distinct personality types: the bad male child, the shy one, the young one, the older blood brother type, and a heart throb.

Since 2001, the dominance of traditional boy bands on pop charts began to fade in the western hemisphere, although Gil Kaufman of MTV has described "new boy bands" that are "more than likely to resemble My Chemical Romance, Sum 41, and Elementary Plan.[20]

In 2001, Taiwanese boy band F4 (chosen JVKV since 2007)[21] blew upward big as a effect of the success of their TV drama Meteor Garden. According to Forbes, F4 has sold 3.5 1000000 copies of their first two albums all over Asia as of July 2003.[22]

With their success, many other Taiwanese male child bands emerged effectually this time, such every bit 5566 and Fahrenheit. In South korea, Shinhwa likewise spread hallyu wave throughout Asia such every bit Japan, Thailand, Singapore, Taiwan, Hong Kong and Mainland china. Also in 2001, a new all-male pop ring and trip the light fantastic toe group boyband hailing from Japan called Exile debuted nether Avex Group'southward label Rhythm Zone with 14 members, putting them on par with Super Junior, a South Korean boy band, who had 13 members at its peak.[ citation needed ]

Japanese boy ring Arashi has sold over xxx million copies of their records since their offset release in 1999.[23] They had the yearly best-selling single in Japan in 2008[24] and 2009.[25] In 2003 SMAP released the unmarried "Sekai ni Hitotsu Dake no Hana" that has get the third all-time-selling single ever in Nihon, with over iii million copies sold.[26]

In North America, the Jonas Brothers rose to fame from promotion on the Disney Channel in 2008. Other boy bands like JLS and Mindless Beliefs also emerged and experienced remarkable success around this fourth dimension. However, apart from them, boy bands have not seen the commercial boom experienced in the genre from the mid to late nineties in North America.

The mid 2000s, especially the United kingdom of great britain and northern ireland and the rest of Europe, saw the continued longevity of nineties boy bands such as Backstreet Boys and Westlife (before they disbanded in 2012), and the successful improvement of Take That in 2005, Boyzone in 2007, and New Kids on the Block in 2008. Some sections of the printing accept referred to these acts, particularly those who take reformed after a previous split, such as Accept That, Boyzone, and 98 Degrees, equally 'human being bands'.[27]

2010s and early 2020s: Big Time Blitz, I Direction and rise of K-pop

In the early 2010s, there was somewhat of a resurgence of boy band popularity in countries where the trend had non maintained, with the emergence of new boy bands like Big Time Rush, The Wanted, and I Direction and the formation of supergroup NKOTBSB which comprised members of New Kids on the Block and Backstreet Boys.[28] NKOTBSB's success inspired male child bands who were fairly popular during the 1990s and 2000s to make a comeback, such as A1, Blue, 98 Degrees, V, 911, and O-Town. Like 2gether and The Monkees, Big Time Rush was a manufactured act created for a television show. One Management were often credited as sparking a resurgence in the popularity and interest male child bands alongside being credited with forming role of a new "British Invasion" in the United States.[29] [30] Their Where Nosotros Are Bout was the highest-grossing bout by a song group in history[31] and later on the release of their 4th anthology, Iv, they became the only group in the 58-year history of the Billboard 200 to have their offset four albums debut at number one.[32]

In Southeast Asia, local boy bands besides emerged equally a result of the continued success of Korean and Japanese boy bands such as SMAP, Sechs Kies, Shinhwa, TVXQ!, Arashi, Exile, Super Junior, Big Bang, SHINee, Exo, and BTS. I of the male child bands who emerged as a event of Hallyu (Korean moving ridge) is Indonesia'southward SM*SH who enjoyed prominent success domestically. In the Philippines, a major boy ring has been formed by bringing the first reality boy band search of the land called Pinoy Boyband Superstar which held mid 2016, after all the series of auditions, rigorous training and competition, the winners formed equally a grouping called Boyband PH a five-piece Pinoy boy ring which managed by Star Magic.[33]

In South korea, male child bands have been commercially successful. On the Gaon Music Chart year-end albums chart of 2016, nine of the top x and 17 of the top 20 albums are by male child bands or by subunits/members of boy bands.[34] BTS' Map of the Soul: 7 is the acknowledged anthology of all time in Republic of korea, with more than 4.4 million copies sold, and Exo'southward XOXO became the get-go anthology released since 2001 to sell more than than 1 million copies.[35] [36] As of 2021, male child bands such as Seventeen, NCT and NCT 127 have besides become regular one thousand thousand-sellers.[35]

In 2013 Billboard started covering music releases in K-pop, though K-pop had been entering the charts equally early every bit 2009, signifying the growth of the hallyu wave in America.[37] By 2017, BTS crossed into the international music market, furthering the Korean Wave in the United States and becoming the first Korean group to receive a certification by the Recording Manufacture Association of America (RIAA) with their single "Mic Drop". The band is the beginning Korean act to top the U.S. Billboard 200 with their studio album Love Yourself: Tear (2018) and accept since hit the superlative of the U.Due south. charts with their albums Love Yourself: Answer (2018), Map of the Soul: Persona (2019), Map of the Soul: 7 (2020) and Be (2020).[38] Love Yourself: Answer as well broke South korea'southward Gaon Album Chart's all-time monthly record previously set by Love Yourself: Tear and became the first Korean anthology certified Gilded in the Us.[39] SuperM later became the first K-pop group to debut at No. ane in the U.S. Billboard 200.[xl]

In Japan, Arashi continue to be very successful, being the best-selling music creative person in Japan from 2013 through 2017[41] by value of sales and also having the yearly best-selling anthology in the state in 2010, 2011, 2013, 2015 and 2016.[42] [43] [44] [45] [46] Other successful Japanese male child bands in this decade include Sandaime J Soul Brothers, the 2d acknowledged music artist of 2016 in the land and Kanjani Eight, the 5th best-selling music creative person of that year in Japan.[47]

Cardinal factors of the concept

Seen as important to a "male child ring" group's commercial success is the group'south image, carefully controlled by managing all aspects of the grouping'southward attire, promotional materials (which are oft supplied to teen magazines), and music videos. The primal factor of a male child band is existence trendy. This ways that the band conforms to the most contempo fashion and musical trends in the popular music scene. Typically, each member of the group will have some distinguishing feature and exist portrayed as having a detail personality stereotype, such as "the babe," "the bad male child," or "the shy ane." While managing the portrayal of popular musicians is as old equally popular music, the particular pigeonholing of band members is a defining characteristic of boy and girl bands.

In nigh cases, their music is written, bundled and produced by a producer who works with the band at all times and controls the grouping's sound – if necessary, to the point of hiring session singers to tape guide vocals for each fellow member of the group to sing individually if the members cannot harmonize well together. Notwithstanding, for clarity of each vocalism, recording each phonation individually is nigh unremarkably the norm with most modern vocal groups. In recent years, auto-tune has become a popular tool for male child bands who are unable to sing to a loftier standard. Some boy bands have come under fire for this issue of using car-tune. Some take likewise come under fire for lip syncing in their performances also, for example New Kids on the Block.[48]

A typical boy band functioning features elaborately choreographed dancing, with the members taking turns singing and/or rapping. Boy bands generally do not compose or produce their own cloth, unless the members antechamber hard enough for creative control. However, some bands were created effectually the talent of a songwriter inside the grouping like Gary Barlow of Take That or Tony Mortimer of East 17. It is not uncommon to discover actress songs on an album written past 1 or more than of the band members; however, their producers rarely use these as singles.

Since the 21st century, withal, male child bands have been expected to write or at least contribute in some part lyrically to songs. Autonomously from the groups mentioned to a higher place who all had at least ane master songwriter from their starting time, other groups soon caught up. At the close of the nineties, groups like Backstreet Boys and *NSYNC who had previously used writers like Max Martin during their early albums began writing their own songs.[49] [50] Newer groups from late 2000s such every bit JLS have all made a point from early interviews that they write their own songs and concur their ain image every bit this is an important part of marketing. Some bands like The Wanted have even spent time learning the craft of songwriting.[51]

Individuals tin can also go along to attain greater success as a solo artist coming out of a male child band having used the groups popularity to build on. Usually this signals the end of the grouping until potential futurity reunions. Examples of this include Michael Jackson from The Jackson 5, Donny Osmond from The Osmonds, Ricky Martin from Menudo, Justin Timberlake from *NSYNC, and Ronan Keating from Boyzone. Sometimes the most successful solo star from a band is not the almost pop member such as Robbie Williams equally opposed to lead vocalist Gary Barlow from Accept That. Some boy band members have gone on to successful careers elsewhere in the media. Michael Dolenz of The Monkees went on to become a successful television producer, working for ITV franchises such equally LWT and Television S.

Music genres

Although most boy bands consist of R&B or pop influences, other music genres, virtually notably land music and folk music, are also represented. South 65 and Marshall Dyllon, for example, were both country music male child bands. Il Divo, created past Simon Cowell in 2004, are a vocal group that performs operatic pop in several (mainly Italian) languages. Since then operatic/classical boy bands accept go quite popular and common, especially in the UK. Since 2001 at that place has been some crossover with power popular and popular punk from bands that play alive instruments. Merely recently some boy bands decided to become back to their original doo-wop roots, most notably, The Overtones.

Controversy

Since the 2000s, groups such as Backstreet Boys and LFO have disliked the term "male child band" and accept preferred to be known as a "male person vocal group".[52] [53] Being categorized among male child bands was too the primary reason the Moffatts split up up.[54] Boy bands take been accused past the music press of emphasizing the appearance and marketing of the group above the quality of music, deliberately trying to entreatment to a preteen audition and for conforming to trends instead of being original. Such criticisms can become extremely scathing. Male child bands are often seen every bit being curt lived,[55] although some acts such as The Jackson 5, Backstreet Boys, Man Nature, New Edition, SMAP, Shinhwa[56] and Westlife (before they dissever upwards in 2012) have sustained lasting careers.

Best-selling boy bands

The following is a list of the best-selling boy bands based on claimed sales figures of over 40 million records:

Name Nationality Number of members Years active Genre Studio albums Claimed sales
Backstreet Boys United States 5 → 4 → 5 1993–present (27 years) Popular 10 100 one thousand thousand[xiv]
The Osmonds United States 5 1958–1980 (22 years) Pop 22 77 million[57]
The Jackson v Us 5 → six → 4 1964–1990, 2001, 2012–2013 (49 years) Pop/R&B 18 75 meg[58]
New Kids on the Block United States v → 4 → 5 1984–1994, 2008–present (37 years) Pop 6 70 one thousand thousand[59]
Bay City Rollers United Kingdom 5 1966–1981 (15 years) Pop xvi seventy 1000000[60]
I Direction United Kingdom/Ireland five → four 2010–2016 (6 years; on hiatus) Pop 5 70 one thousand thousand[61]
*NSYNC U.s. v 1995–2002 (7 years) Pop 4 70 million[62]
Boyz Two Men The states five → 4 → 3 1988–present (31 years) R&B 11 sixty 1000000[63]
Take That United Kingdom five → 4 → 5 → 3 1990–1996, 2005–present (31 years) Popular 8 45 one thousand thousand[64] [65]
Westlife Ireland v → 4 1998–2012; 2018–present (23 years) Popular 11 45 meg[66]

Come across also

  • All-female ring
  • Girl group

References

  1. ^ Hickey, Walt (June 4, 2014). "Boy Bands: More Similar Man Bands". FiveThirtyEight . Retrieved June 7, 2014.
  2. ^ "Definition of the Barbershop Mode, from the Contest and Judging Handbook". Barbershop Harmony Guild. July eleven, 2002. Archived from the original on June 7, 2007. Retrieved June 6, 2007.
  3. ^ "Boy bands". Did yous know. Retrieved June 29, 2012.
  4. ^ Brown, Mick (September 6, 2016). "Faintings, stage invasions: how the Beatles invented the cult of female person fandom". The Daily Telegraph. Archived from the original on Jan 11, 2022. Retrieved March 12, 2018.
  5. ^ a b c Medina, Portia; Hermon, James; James, Kyleen (Apr 4, 2012). "The Beatles to The Wanted: The Evolution of Male child Bands". The Hollywood Reporter . Retrieved March 13, 2018.
  6. ^ a b Tillotson, Kristin (July fifteen, 2013). "From Beatles to the Wanted: A history of boy bands at a glance". Star Tribune . Retrieved March 12, 2018.
  7. ^ Benjamin, Jeff; Nuñez, Jatnna (November 17, 2014). "Photo History of Male child Bands: 31 Essential Acts". Fuse . Retrieved March 14, 2018.
  8. ^ Roberts, David (2006). British Hitting Singles & Albums (19th ed.). London: Guinness Globe Records. p. 45. ISBN1-904994-10-v.
  9. ^ Strong, Martin C (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo. pp. ii–3. ISBN1-84195-017-3.
  10. ^ "The Teens". Discogs.
  11. ^ Knopper, Steve (2004), "Raspberries", Contemporary Musicians, Encyclopedia, Gale, retrieved December 26, 2009
  12. ^ "3T Biography". Sort music. Retrieved August 5, 2012.
  13. ^ "【オリコン】SMAP新曲が32作目首位 総売上3500万枚突破". Oricon Style. Oricon. February 24, 2015. Retrieved January 4, 2017.
  14. ^ a b c Feeney, Katherine (January vi, 2010). "Backstreet Boys are back". The Sydney Morning time Herald . Retrieved January 21, 2014.
  15. ^ "Louis Walsh Profile". Press Association. Yahoo!. Retrieved January 9, 2010.
  16. ^ "The Official Height xx biggest selling groups of all time revealed!". Official charts. Retrieved November three, 2012.
  17. ^ "Official Singles Charts' biggest selling artists of all time revealed". Official charts. Retrieved October 30, 2012.
  18. ^ "Take That's Top 40 Biggest Selling Songs". Official charts. Retrieved Nov 29, 2014.
  19. ^ "Weblog". Bebo. Archived from the original on September 15, 2018. Retrieved June 29, 2012.
  20. ^ Kaufman, Gil (2007). "The New Male child Bands". MTV. Archived from the original on October 19, 2007. Retrieved November 8, 2007.
  21. ^ Wang, Vivien (April 29, 2007). "Boy band changes name F4 into JVKV". China Daily . Retrieved May 31, 2007.
  22. ^ Alexandra Kirkman (July 7, 2003). "Big--But Not Here". Forbes . Retrieved May eighteen, 2020. [ dead link ]
  23. ^ "【オリコン】嵐、相葉主演月9主題歌1位 CD総売上3000万枚突破". Oricon Fashion (in Japanese). Oricon. May 19, 2015. Retrieved January four, 2017.
  24. ^ "年間ランキング特集『2008年 オリコン年間ランキング大発表！』". Oricon Style (in Japanese). Oricon. Retrieved January 4, 2017.
  25. ^ "年間ランキング特集『オリコン2009年年間ランキング大発表！』". Oricon Style (in Japanese). Oricon. Retrieved January 4, 2017.
  26. ^ SMAP「世界に一つだけの花」300万枚突破 ファンの「購買運動」目標達成 (in Japanese). Oricon News. December ix, 2016. Archived from the original on Dec 2, 2017. Retrieved December ii, 2017.
  27. ^ D'Zurilla, Christie (August 17, 2012). "98 Degrees reunites as 'man ring' on 'Today' show". Los Angeles Times . Retrieved September 14, 2012.
  28. ^ "The rise and return of the boy band". Hampton Roads. Apr 29, 2012. Archived from the original on May 10, 2012. Retrieved June 29, 2012.
  29. ^ "The British Are Coming! One Direction Set To Conquer America". www.yahoo.com.
  30. ^ "The New British Invasion: Boy Bands -". May 8, 2012.
  31. ^ "One Direction'south Where We Are Bout Attended past 3.iv Million Fans". Billboard. October ten, 2014.
  32. ^ "One Direction'due south 'Four' Makes Historic No. i Debut on Billboard 200 Chart". Billboard. November 26, 2014.
  33. ^ "'Pinoy Boyband Superstar': Winners revealed!". Rappler. December 11, 2016. Retrieved December 11, 2016.
  34. ^ "2016 Album Chart" (in Korean). Gaon Music Chart. Archived from the original on January fifteen, 2021. Retrieved March 13, 2021.
  35. ^ a b SCMP Reporter (February 27, 2021). "The 20 bestselling Thou-pop albums of all time: BTS, Blackpink, NCT, Exo, Wanna I included". SCMP. Archived from the original on February 27, 2021. Retrieved March 14, 2021.
  36. ^ Herman, Tamar. "EXO's Baekhyun's 'Delight' Makes South Korean History With Over one 1000000 Copies Sold". Forbes. Archived from the original on January eight, 2021. Retrieved March xiii, 2021.
  37. ^ "Looking Back at How 'K-Pop' Came to Billboard twenty Years Ago". Billboard. October 11, 2019. Retrieved December 22, 2019.
  38. ^ Caulfield, Keith (November 29, 2020). "BTS Earns Fifth No. 1 Album on Billboard 200 Chart With 'Be'". Billboard . Retrieved March thirteen, 2021.
  39. ^ "RIAA: BRS certifications". Recording Industry Association of America . Retrieved September 22, 2019.
  40. ^ "The 2020 Billboard Impact List Revealed". Billboard. January 23, 2020. Archived from the original on November 2, 2020. Retrieved March 13, 2021.
  41. ^ 【第50回 オリコン年間ランキング 2017】嵐が総合売上5年連続首位、AKB48がシングル年間V8達成! (in Japanese). Oricon. December 23, 2017. Retrieved November 6, 2018.
  42. ^ 年間ランキング特集『2010年、ヒットしたシングル、アルバム、DVDは？』 (in Japanese). Oricon. December 20, 2010. Retrieved November six, 2018.
  43. ^ 年間ランキング特集『AKB48が5作ミリオン突破の快挙！2011年オリコン年間CD＆DVDランキングを大発表！』 (in Japanese). Oricon. December 19, 2011. Retrieved November 6, 2018.
  44. ^ オリコン2013年 年間 音楽＆映像ランキング (in Japanese). Oricon. December 15, 2013. Retrieved November 6, 2018.
  45. ^ 2015年 年間音楽ランキングを発表！. Oricon Way (in Japanese). Oricon. December 23, 2015. Retrieved January 4, 2017.
  46. ^ 【2016年 年間音楽＆映像ランキング】嵐が前人未到の記録達成！AKB48がシングル年間V7!!. Oricon Style (in Japanese). Oricon. December 24, 2016. Retrieved January four, 2017.
  47. ^ 【2016年 年間音楽＆映像ランキング】嵐が前人未到の記録達成！AKB48がシングル年間V7!!. Oricon Style (in Japanese). Oricon. Dec 24, 2016. Retrieved January 4, 2017.
  48. ^ "New Kids' Performance Was Dubbed, Critic Says". Orlando Lookout. March 4, 1992. Retrieved August fifteen, 2012.
  49. ^ "*NCharge *NSYNC". Yamaha All Admission Mag. 2001.
  50. ^ Seymour, Craig (May 10, 2000). "Pulling Strings". Entertainment Weekly. Archived from the original on October 22, 2012.
  51. ^ "The Wanted go to songwriting camp to write new album". Digital Spy. UK. July xiii, 2011. Retrieved June 29, 2012.
  52. ^ "I would be the dessert because I'm satisfying". Pop Justice. October 24, 2007. Archived from the original on November 29, 2014. Retrieved August 16, 2012. We were never a boyband. We always thought of ourselves every bit a white song harmony group, we didn't model ourselves on Have That or annihilation.
  53. ^ "Non Just Another Male child Band". CA. January 18, 2000. Archived from the original on January 1, 2013. Retrieved August 16, 2012. As long equally you lot similar my music, buy the record, come to the shows, fact of the affair is, if you lot see us, you'll know we're not a boy band.
  54. ^ McCoy, Heath. "The Moffatts accept left the building". The Calgary Herald. Archived from the original on February 23, 2013. Retrieved August xvi, 2012. Being young, there's this (boy band) stigma yous pick up and they all thought it was very unjust.
  55. ^ Hickey, Walt (June iv, 2014). "'90s Boy Bands: A Numerical Retrospective". FiveThirtyEight . Retrieved June vii, 2014.
  56. ^ "Shinhwa'southward longevity introduced in U.s. mag". Koreatimes.co.kr. July 29, 2013. Retrieved June 4, 2014.
  57. ^ "An Osmond Family unit Tribute". Oprah.com . Retrieved March 9, 2018.
  58. ^ Idato, Michael (June 28, 2018). "Joe Jackson, father of superstar Michael Jackson, dies anile 89". The Canberra Times . Retrieved June 30, 2018.
  59. ^ "Back on the block". The Columbus Dispatch . Retrieved July 24, 2018.
  60. ^ Picardie, Justine (March 26, 1995). "'In the Rollers, I'd merely say: I want that house. Then I'd move in'". The Independent . Retrieved March 9, 2018.
  61. ^ "1 Direction: 10 years of 1D, merely is a reunion on the way?". July 23, 2020. Retrieved July 25, 2020.
  62. ^ Newman, Melinda (November 14, 2017). "*NSYNC And Epic Rights Join Together For Merchandise Line to Celebrate Band's 20th Anniversary: Sectional". Billboard . Retrieved March ix, 2018.
  63. ^ Hill, Libby (January 6, 2016). "Boyz Two Men to play teen angels in Play a joke on's 'Grease: Live'". Los Angeles Times . Retrieved June 25, 2017.
  64. ^ "Marker Owen swaps Take That for Doing Goose egg". BBC. May iii, 2013. Retrieved November 30, 2018.
  65. ^ "Gary Barlow to receive music industry honour". Telegraph. July xix, 2012. Retrieved November 30, 2018.
  66. ^ "BBC One - Strictly Come Dancing Profile". BBC. June 8, 2018. Retrieved January eighteen, 2019.

Further reading

  • Maria Sherman (2020). Larger Than Life: A History of Boy Bands from NKOTB to BTS. Black Dog & Leventhal. ISBN978-0762468911.

External links

  • Boybands Radio – Only boy bands 24/seven
  • Top x Boy Bands
  • Rolling Stone's The Best Boy Bands of All Time
  • Washington Times' All-time Male child Bands
  • Billboard'due south 10 Biggest Boy Bands (1987–2012)

schmitthisho1955.blogspot.com

Source: https://en.wikipedia.org/wiki/Boy_band

0 Response to "Band Super Mega Everything Rise Again"

Post a Comment

Subscribe to: Post Comments (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel